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The fact that he disproves the usual clichés in many respects should certainly not lead to the assumption that he does not have the power to assert his clearly defined musical goals.
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Herbert Blomstedt leads Dvořák’s Eighth Symphony — “melodies simply pour out of me,” the composer said, from the lyrical echoes of his Bohemian homeland to trumpet fanfares and exuberant brass calls — and Grieg’s evocative, deservedly popular Noble, charming, sober, modest.
Such qualities may play a major role in human coexistence and are certainly appreciated.
Basically, Herbert Blomstedt has always represented that type of artist whose professional competence and natural authority make all external emphasis superfluous.
His work as a conductor is inseparably linked to his religious and human ethos; accordingly, his interpretations combine great faithfulness to the score and analytical precision with a soulfulness that awakens the music to pulsating life.