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carries with it a persistent whiff of strangeness, deviance and failure” — moved to New York City for a man and then he left her, sending her spiraling into the kind of year that can, if you are Ms. Instead, she takes long, introspective walks through the city where she is loveless and occasionally so unmoored that she can barely bring herself to order coffee, too vulnerable to cope with her barista’s continuing inability to decode her English accent.
When pressed about her ambivalence toward revealing her private life in writing, Ms.
Instead, this new crop of nonfiction seeks to blend personal writing with social analysis, to fashion some kind of philosophy about how we live, and love, now.
Examples abound: Moira Weigel’s debut, “Labor of Love”; Kate Bolick’s dissection of singleness in her 2015 book, “Spinster”; Jessica Valenti’s recent memoir, “Sex Object”; Kristin Dombek’s starkly original take on threesomes in The Paris Review.
Witt’s book: her quest to find some kind of new arrangement, even while she harbors a fierce attachment to the old ones.“Labor of Love: The Invention of Dating,” by Moira Weigel, is, like Ms. It wasn’t until the end of the process of writing her book that Ms. She includes the story in the first pages of her book; it’s one of the few explicitly personal exchanges she relays. Weigel, the entire process felt “urgent” and intensely personal, she told me, because the questions of how people relate to each other romantically were the ones she cared about.“I really wanted to take the subjects of love, sex and dating seriously and felt keenly aware of the trap that I had seen many young female writers pushed into, when they were encouraged to focus on ‘personal’ subjects.
Her past books, including “The Purity Myth” and “Full Frontal Feminism,” have been essayistic and polemical.
But she, like so many of her feminist icons, invokes that old mantra about the personal and the political.“As a culture, we’re only comfortable with women’s sexual stories being told from a male point of view,” Ms. “It’s not that we’re not comfortable with women’s sexuality — we see women’s sexuality plastered all over ads and movies and television shows.
These authors share something else, besides subject matter: They are women.
Their books are a departure from the raw, unfiltered confessional writing that the internet seems to have fostered in recent years: inward-focused pieces on abortions and addictions and affairs we have gotten used to clicking on, or past.